Photograph of bear's head. The bear is looking left. Water and rocks are seen behind the bear.
Photo by Aimee Wolff

Bill Wolff
Writing, Research, and Technology
Spring 2007

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Essay 2: Images and Texts

printable version of essay 2 assignment (.pdf, 34Kb)

texts

Bolter, Jay David, Writing Space: Computers, Hypertext, and the Remediation of Print chs. 1 - 4

Sante, Luc, Evidence

the assignment

In "Documentary" Luc Sante describes the crime scene photographs: "As evidence, they are mere affectless records, concerned with details. . . . They are bookkeeping entries, with no transfiguring mission, and so serve death up raw and unmediated" (60). But is Sante correct? Are they really "unmediated"?

Sante presents the images as unique plates, one to a page, and as readers we read them one after another-a series of black and white images of people endlessly in the process of dying surrounded by bric-a-brac. Yet, despite (and, perhaps, because of) his announcement of the photos' rawness Sante is compelled in "Corpus Delicti" to attempt to (re)contextualize the images by providing ekphrastic commentary containing, in some places, archival news reports and, in others, speculation (quite similar to the speculations your groups conceived in class).

Bolter observes that ekphrasis "sets out to rival art in words, to demonstrate that words can describe vivid scenes without recourse to pictures" (56). Yet, Bolter argues, "as we have seen in digital media and even in print, we get a reverse ekphrasis in which images are given the task of explaining words" (99). Furthermore, "[p]rint managed to establish an equilibrium with representational painting, but that equilibrium began to erode perhaps with the invention of photography. Just as photography contributed to a crisis in painting, so it and technologies that followed . . . called into question the power of prose" (58). Photographs, Bolter implies, became writing spaces.

For this essay, then: Using Sante's ideas on documentary and evidence and Bolter's discussion on the relationship between image and text, I would like you to consider how the crimes scene photographs challenge conceptions of writing spaces and come to a conclusion about whether they perform better as "evidence" with or without Sante's "Corpus Delicti."

When putting this essay together, please do not go from one photograph to the next summarizing what is shown within. Be sure to have a clear point that you are trying to make and lead up to it throughout the essay, using Sante's and Bolter's ideas as well as no more than two photographs to support your ideas.

tues-thurs due dates and page requirements

Rough Draft
Thursday, 1 March.; 4 - 6 pages; due by 4:00pm
Use the following format when saving the file: "wrt-s07-yourlastname-essay2-rd.doc"
Draft will be submitted to openarea folder entitled "essay-2-rd."
Final Draft
Tuesday, 6 March; 5 - 7 pages; due at the start of class
Use the following format when saving the file: "wrt-s07-yourlastname-essay2-fd.doc"
Draft will be submitted to openarea folder entitled "essay-2-fd."

wednesday due dates and page requirements

Rough Draft
Wednesday, 7 March.; 4 - 6 pages; due by 5:00pm
Use the following format when saving the file: "wrt-s07-yourlastname-essay2-rd.doc"
Draft will be submitted to openarea folder entitled "essay-2-rd."
Final Draft
Friday, 9 March; 5 - 7 pages; due by 11:00pm
Use the following format when saving the file: "wrt-s07-yourlastname-essay2-fd.doc"
Draft will be submitted to openarea folder entitled "essay-2-fd."

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